Field of Dreams Stadium

- 09.47

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Field of Dreams is a 1989 American fantasy-drama sports film directed by Phil Alden Robinson, who also wrote the screenplay, adapting W. P. Kinsella's novel Shoeless Joe. It stars Kevin Costner, Amy Madigan, James Earl Jones, Ray Liotta and Burt Lancaster in his final role. It was nominated for three Academy Awards, including for Best Original Score, Best Adapted Screenplay and Best Picture.


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Plot

Ray Kinsella is a novice Iowa farmer who lives with his wife, Annie, and daughter, Karin. In the opening narration, he explains how he had a troubled relationship with his father, John Kinsella, who had been a devoted baseball fan. While walking through his cornfield one evening, he hears a voice whispering, "If you build it, he will come." He continues hearing this before finally seeing a vision of a baseball diamond in his field. Annie is skeptical, but agrees to let him use their savings to build a baseball field in their corn acreage, after Ray shares his insecruities about following in his father's footsteps - in having never taken risks to follow his dreams. As he builds, he tells Karin and Annie the story of the 1919 Black Sox Scandal. Nearly a year goes by with no activity. One night, as Ray and Annie are budgeting and become aware of their precarious financial position, Karin spots a uniformed man on the field. Ray recognizes him as Shoeless Joe Jackson, a deceased baseball player idolized by John. Thrilled to be able to play baseball again, Joe asks to bring others to the field to play. He later returns with the seven other players banned as a result of the 1919 scandal.

Ray's brother-in-law, Mark (a banker), can't see the players and warns him that he will go bankrupt unless he replants his corn. Ray ignores the warning, and after watching the eight players disappear into the corn field, is surprised to hear the voice again, which conveys another message: "ease his pain." Ray becomes upset after hearing the voice again, having thought that building the baseball field was all that was required of him.

That same night, at Annie's urging, Ray attends a PTA meeting with her where the possible banning of books by radical author Terence Mann is discussed. He decides the voice was referring to Mann. He begins researching Mann's life and career intensively, and comes across a magazine interview dealing with Mann's childhood dream of playing for the Brooklyn Dodgers, deciding that this unfulfilled dream is the "pain" that the voice spoke of. Ray begs Annie to let him go to Boston to find Mann, which she initially refuses to allow, citing their financial difficulties at home. However, after realizing that they both dreamed of him and Mann attending a baseball game together at Fenway Park, she immediately helps Ray pack for the trip, allowing him to go.

He heads to Boston. Upon arrival, he spends some time speaking to locals in an effort to locate Mann's apartment, which he eventually does. He awkwardly introduces himself, and finds the former author to be embittered and deeply skeptical; however, after a great deal of persistence, Ray convinces Mann to attend a game with him at Fenway Park.

While there, Ray hears the voice again, which says "go the distance." At the same time, Ray sees statistics appear on the scoreboard for a player named Archibald "Moonlight" Graham, who played one game for the New York Giants in 1922, but never had a turn at bat. Ray asks Mann if he saw what appeared on the scoreboard, but Mann says that he saw nothing, at which point they both decide to leave the game early. However, just after dropping off Mann at his apartment, Mann stops Ray as he is leaving, and admits that he too saw the information on the scoreboard about Moonlight Graham, and had also heard the voice. He reluctantly decides to go with Ray to find Graham.

Ray and Mann then travel to Chisholm, Minnesota where they learn from local residents that Graham had become a doctor and had died sixteen years earlier. Frustrated, Ray goes out on a late night walk through town, and is surprised to find himself back in 1972. He encounters the then-living Graham, who is also on a late-night walk, and invites Ray to his medical office, where Ray interviews him about the events of 1922. Graham states that he had long since moved on from his baseball career. He also shares his feeling that the greater disappointment would have been not having a medical career, and declines Ray's invitation to fulfill his dream. Ray shares this information with with Mann, leaving them both baffled; Ray calls Annie to tell her what has happened and that he needs to take Mann back to Boston, but Mann insists on going to home to Iowa with Ray.

During the drive back home, they pick up a young hitchhiker and baseball player, who introduces himself as Archie Graham, much to their astonishment. While Archie sleeps, Ray reveals to Mann that John had wanted him to live out his dream of being a baseball star. He stopped playing catch with him after reading one of Mann's books at 14. At 17, he had denounced Shoeless Joe as a criminal to John and that was the reason for the rift between them. Ray expresses regret that he didn't get a chance to make things right before John died. Mann then says he understands everybody's purpose in these recent events, except his own.

When they arrive back at Ray's farm, they find that enough players have arrived to field two teams. Despite having already shown faith in Ray's accounts of what had already happened, Mann is astonished to see Shoeless Joe and the other players. A game is played and Archie finally gets his turn at bat.

The following afternoon, during another game, Mark returns and demands that Ray sell the farm to him, so that Ray can lease the farm and the home from him and maintain their livelihood - a favor Mark is willing to extend for the sake of his sister. Karin says that they will not need to because "people will come," and will pay to watch the ballgames. Mann agrees, and in a stirring monologue, recounts Americans' relationship with baseball over the years, concluding that people will happily pay money in order to relive their childhood innocence. With the baseball players lookng on, Ray, after much thought, refuses Mark's offer. A frustrated Mark scuffles with Ray, during which Karin is accidentally knocked off the bleachers. The young Graham runs from the field to help, becoming old Graham, complete with Gladstone bag, the instant he steps off of it, and saves Karin from choking (she had been eating a hot dog when she fell). Ray realizes that Graham sacrificed his young self in order to save her. After reassuring Ray that his true calling was medicine and being commended by the other players, Graham leaves, disappearing into the corn. Suddenly, Mark is able to see the players and urges Ray not to sell the farm.

After the game, Shoeless Joe invites Mann to enter the corn; he accepts and disappears into it. Ray is angry at not being invited, but Shoeless Joe rebukes him: if he really wants a reward for having sacrificed so much, then he had better stay on the field. Shoeless Joe then glances towards a player at home plate, saying "If you build it, he will come." The player then removes his mask, and Ray recognizes him to be John as a young man. Shocked, Ray realizes that "ease his pain" referred to John, and believes that Shoeless Joe was the voice all along; however, Joe implies that the voice was Ray himself. Joe then disappears into the corn.

Ray introduces John to Annie and Karin. As he heads towards the corn, Ray asks him if he wants to play a game of catch. They begin to play and Annie happily watches. Meanwhile, hundreds of cars can be seen approaching the baseball field, fulfilling Karin and Mann's prophecy that people will come to watch baseball.


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Cast


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Production

Phil Alden Robinson read Shoeless Joe in 1981 and liked it so much that he brought it to producers Lawrence Gordon and Charles Gordon. Lawrence Gordon worked for 20th Century Fox, part of the time as its president, and repeatedly mentioned that the book should be adapted into a film. The studio, however, always turned down the suggestion because they felt the project was too esoteric and noncommercial. Meanwhile, Robinson went ahead with his script, frequently consulting W. P. Kinsella, the book's author, for advice on the adaptation. Lawrence Gordon left Fox in 1986 and started pitching the adaptation to other studios. Universal Studios accepted the project in 1987 and hired USC coach Rod Dedeaux as baseball advisor. Dedeaux brought along World Series champion and USC alumnus Don Buford to coach the actors.

The film was shot using the novel's title; eventually, an executive decision was made to rename it Field of Dreams. Robinson did not like the idea saying he loved Shoeless Joe, and that the new title was better suited for one about dreams deferred. Later, Kinsella told Robinson that his originally chosen title for the book had been The Dream Field and that the title Shoeless Joe had been imposed by the publisher.

Casting

Robinson and the producers did not originally consider Kevin Costner for the part of Ray because they did not think that he would want to follow Bull Durham with another baseball film. He, however, did end up reading the script and became interested in the project, stating that he felt it would be "this generation's It's a Wonderful Life". Since Robinson's directing debut In the Mood had been a commercial failure, Costner also said that he would help him with the production. Amy Madigan, a fan of the book, joined the cast as Ray's wife, Annie. In the book, the writer Ray seeks out is real-life author J.D. Salinger. When Salinger threatened the production with a lawsuit if his name was used, Robinson decided to rewrite the character as reclusive Terence Mann. He wrote with James Earl Jones in mind because he thought it would be fun to see Ray trying to kidnap such a big man. Robinson had originally envisioned Shoeless Joe Jackson as being played by an actor in his 40s, someone who would be older than Costner and who could thereby act as a father surrogate. Ray Liotta did not fit that criterion, but Robinson thought he would be a better fit for the part because he had the "sense of danger" and ambiguity which Robinson wanted in the character. Burt Lancaster had originally turned down the part of Moonlight Graham, but changed his mind after a friend, who was also a baseball fan, told him that he had to work on the film.

Filming

Filming began on May 25, 1988. The shooting schedule was built around Costner's availability because he would be leaving in August to film Revenge. Except for some weather delays and other time constraints, production rolled six days a week. The interior scenes were the first ones shot because the cornfield planted by the filmmakers was taking too long to grow. Irrigation had to be used to quickly grow the corn to Costner's height. Primary shot locations were in Dubuque County, Iowa; a farm near Dyersville was used for the Kinsella home; an empty warehouse in Dubuque was used to build various interior sets. Galena, Illinois served as Moonlight Graham's Chisholm, Minnesota. One week was spent on location shots in Boston, most notably Fenway Park.

Robinson, despite having a sufficient budget as well as the cast and crew he wanted, constantly felt tense and depressed during filming. He felt that he was under too much pressure to create an outstanding film, and that he was not doing justice to the original novel. Lawrence Gordon convinced him that the end product would be effective.

During a lunch with the Iowa Chamber of Commerce, Robinson broached his idea of a final scene in which headlights could be seen for miles along the horizon. The Chamber folks replied that it could be done and the shooting of the final scene became a community event. The film crew was hidden on the farm to make sure the aerial shots did not reveal them. Dyersville was then blacked out and local extras drove their vehicles to the field. In order to give the illusion of movement, the drivers were instructed to continuously switch between their low and high beams.

Field

Scenes of the Kinsella farm were taken on the property of Don Lansing; some of the baseball field scenes were shot on the neighboring farm of Al Ameskamp. Because the shooting schedule was too short for grass to naturally grow, the experts on sod laying responsible for Dodger Stadium and the Rose Bowl were hired to create the baseball field. Part of the process involved painting the turf green.

After shooting, Ameskamp again grew corn on his property; Lansing maintained his as a tourist destination. He did not charge for admission or parking, deriving revenue solely from the souvenir shop. By the film's twentieth anniversary, approximately 65,000 people visited annually. In July, 2010, the farm containing the "Field" was listed as for sale. It was sold on October 31, 2011, to Go The Distance Baseball, LLC, for an undisclosed fee, believed to be around $5.4 million.

Music

At first, James Horner was unsure if he could work on the film due to scheduling restrictions. Then he watched a rough cut and was so moved that he accepted the job of scoring it. Robinson had created a temp track which was disliked by Universal executives. When the announcement of Horner as composer was made, they felt more positive because they expected a big orchestral score, similar to Horner's work for An American Tail. Horner, in contrast, liked the temporary score, finding it "quiet and kind of ghostly." He decided to follow the idea of the temp track, creating an atmospheric soundtrack which would "focus on the emotions". In addition to Horner's score, portions of several pop songs are heard during the film. They are listed in the following order in the closing credits:

  • "Crazy", written by Willie Nelson and performed by Beverly D'Angelo
  • "Daydream", written by John Sebastian and performed by The Lovin' Spoonful
  • "Jessica", written by Dickey Betts and performed by The Allman Brothers Band
  • "China Grove", written by Tom Johnston and performed by The Doobie Brothers
  • "Lotus Blossom", written by Billy Strayhorn and performed by Duke Ellington

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Historical connections

The character played by Burt Lancaster and Frank Whaley, Archibald "Moonlight" Graham, is based on an actual baseball player with the same name. His character is largely true to life except for a few factual liberties taken for artistic reasons. For instance, the real Graham's lone major league game occurred in June 1905, rather than on the final day of the 1922 season. The real Graham also died in 1965, as opposed to 1972 as the film depicts. In the film, Terence Mann interviews a number of people about Graham. The DVD special points out that the facts they gave him were taken from articles written about the real one.


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Release and reception

Universal scheduled the film to open in the U.S. on April 21, 1989.It debuted in just a few theaters and was gradually released to more screens so that it would have a spot among the summer blockbusters. It ended up playing until December.

As of June 2017, review aggregator Rotten Tomatoes rates the film 86%, based on 57 reviews with an average score of 7.9 out of 10. The consensus states: "Field of Dreams is sentimental, but in the best way; it's a mix of fairy tale, baseball, and family togetherness."


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Honors

In June 2008, after having polled over 1,500 people in the creative community, AFI revealed its "Ten Top Ten" -- the best ten films in ten "classic" American film genres. The film was acknowledged as the sixth best one in the fantasy genre.

  • AFI's 100 Years...100 Movies--nominated
  • AFI's 100 Years...100 Movie Quotes:
    • "If you build it, he will come."--#39
  • AFI's 100 Years of Film Scores--nominated
  • AFI's 100 Years...100 Cheers--#28
  • AFI's 100 Years...100 Movies (10th Anniversary Edition)--nominated
  • AFI's 10 Top 10--#6 Fantasy Film

Source of the article : Wikipedia



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